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The men behind the nature trails and lookout towers: Pál Csergezán

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  • Annamária Jász

30/03/2021 11.11am

Walking through the Buda hills, you come across countless lookout points, cliffs and tourist retreats bearing someone’s name, a pioneer who, a century or more ago, laid the first path or erected the first sign. One such is Pál Csergezán, whose lookout tower stands atop Nagy-Kopasz Hill.

At a height of 559 metres, on the edge of Pest County, Nagy-Kopasz Hill is topped by a tower named after a Hungarian painter of nature and hunting scenes whose life was equally dramatic: Pál Csergezán.

Photo: Hirling Bálint - We Love Budapest

His look-out tower can be approached from Nagykovácsi or the road from Budakeszi to Telki. In both cases, you have to travel a bit out of the city and it's a good half-day trip by car or bus.

Photo: Hirling Bálint - We Love Budapest

Hikers can use the Sisakvirág nature trail from the Hidegvölgy Forest Hut on the edge of the country road to Telki. Halfway there, you can gaze over the majestic view of the snow-white dolomite plateau of the Tarna rest stop, where a few years ago a huge hailstorm wreaked havoc on the pines.


The slopes are gentle here, overlooked by a 23-metre-high, sail-shaped, lookout tower, offering a dazzling panoramic view of the Buda hills and Pilis, the Mátra and the Börzsöny.

Photo: Hirling Bálint - We Love Budapest

Comprising around 100 steps, the tower was built from larch wood in the autumn of 2006 and was named after Pál Csergezán (1924-1996), a graphic artist, illustrator and nature painter who travelled the world during his colourful life.


This was man who worked in the court of the Iranian Shah and spent his later years in Telki, relaxing, hunting, drawing and painting.

Photo: Nagygyörgy Sándor / Nimród Magazin, 1976 (8. Évfolyam) / Arcanum

Born in Záhony near the Ukrainian border, the young artist was fascinated by his love of horses and animals. He moved to Pest at the age of 15, supported himself from casual work and managed to enrol in the interior design department of the College of Applied Arts.

During World War II, he was taken as a POW to the Soviet Union, where he also worked as a room painter in Sumy, north-eastern Ukraine. His more creative works were greatly influenced by the hunting paintings of lesser-known Russian masters at the museum there.

Photo: Nimród Magazin, 1988, 108. Évfolyam, 1-12. Szám / Arcanum

He came back to Hungary finally graduated from the graphic arts department of the Hungarian College of Fine Arts in 1953. For subsistence, he illustrated textbooks with animals, created works in hunting lodges, in locations close to nature.

His pictures of hunting, nature and animals were not so popular here in Hungary, but well received abroad, most notably in Germany. He was also invited to Cologne, Bonn and Paris, and then to Iran, where he painted game and horses for two years, before moving to Canada and Sweden.

Photo: Nimród Magazin, 1988, 108. Évfolyam, 1-12. Szám / Arcanum

He did not consider himself to be an outstanding artist within the Hungarian canon but rather as a kind of artisan. He painted as an inaccessible hermit, but received continuous commissions from abroad, painting almost exclusively for foreign clients. Here, he developed a following in hunting circles and among established hikers.

Photo: Nimród Magazin, 1988, 108. Évfolyam, 1-12. Szám / Arcanum

To preserve his legacy, the Csergezán Foundation was established after his death, distributing prestigious awards to nature painters.

He spent the last years of his life in Telki, in the small rooftop room of the hunting centre in the Telki forest, which also functioned as a studio and bedroom.

Photo: Hirling Bálint - We Love Budapest

His ashes rest not far from the lookout, next to the Anna hunting lodge in the middle of the forest, which is also a kind of memorial to Pál Csergezán.

Photo: Hirling Bálint - We Love Budapest

If you’re taking an extended hike, it merits a detour, with the added reward of roaming deer.

References

Tibor Gellért: The painter of nature. Journal of Natural Sciences-World of Nature, editions 1-12, 1997

Sándor Nagygyörgy: In the studio of Pál Csergezán. Nimród magazin, No.3, 1976

Éva Tomai: The man behind the pictures, self-portrait of Pál Csergezán. Nimród magazin, No.4, 1988


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