Velvet, spotlights, audience
. The perfume of the woman sitting in front of you, and the instructions form the director fill the air.
Zsófia Keresztes
places the active players of the game into an installation, while
Rita Süveges
captures the absurdity of the audience’s observer role in her pictures. The places on the paintings aren't backgrounds for real actions; they show a static, circular motion. However, Keresztes sends her main characters into a destructive fight. The outcome of the tragedy is uncertain. The curtain falls with a deep disgust. *
