Exhibiting at the Kisterem for the second time, István Nádler presents a series of recently completed graphic works. The triangle became a central motif in the artist’s painted works in 1994 and resurfaced in the early 2000s. The series that finished in 2019 depicts the contemplation of the triangle’s birth and disintegration, and offers an essential picture of the harmony created between geometry and gestures in Nadler’s oeuvre.