Ádám Kokesch
has an original take on the object culture of modernity and the traditions of
abstract
art, linking the aesthetics of abstract art with the aesthetics of imaginary high-tech design.
The purist aesthetics of classical modernism initially developed in parallel with modern interior design, product design and graphics. It was a phenomenon which first gained articulation through the work of the
Bauhaus
in the early twentieth century.
Kokesch above all examines the question of whether the parallel development of classical modernity and modern design, as we see it now, can serve as a model for creating a connection between today’s radical design aesthetics and radical art.
