The project is a result of the
joined creative activities
of
three artists
who build a unique connection between the
painting and audiovisual electronic art
.
Éva Köves
and
Andrea Sztojánovits
began cooperating in 2009.
Gábor Borosi
joined to the group -
Monochrome Clack
- in 2013.
The creative methods of
Éva Köves
are
novel
, and
exceptional
:
she mounts her photos on canvas, takes them further in paint, and then goes on to create mostly large painting-installations from them,
at times consisting of over a dozen pieces.





Éva does not belong to
any particular contemporary school or artistic group
, but her themes, way of thinking, as well as
urban commitment
relates her to the
geometrical, constructivist, anti-mainstream prog
ram
in the first half of the twentieth century, especially, of the
Bauhaus
and
László Moholy-Nagy
.






Andrea Sztojánovits
graduated at the
Intermedia and Pedagogy Departments of the Hungarian Academy of Fine Arts
in Budapest in 2009. Presently, she attends the Doctoral School of the Academy. For nearly ten years she has been engaged, with one of the frontier fields of
digital picture creation
:
improvisational audio-visual performances
, prevalently called
VJ
(video performer) on both
theoretical and practical levels
. From the point of view of Andrea’s artistic activities,
transporting VJ-culture
, its visions, as well as way of thinking, into the “traditional” field of fine arts by producing installa- tions and performances, has a decisive importance.






Gábor Borosi
deals with
music and electronics
since 1987, from 1997 he was leading expert of the
most appreciated hungarian studio technology company
. He is contributed as a
musician, sound engineer and producer
with numerous rock-pop, theater and film productions. He is a writer and translator of many books and publications as a specialist. From the 2000-ies he took part many events as a DJ local and foreign. He has founded and lead his own studio -
Metropol Studio
- since 2008. Since 2009 he is member of the band ‘
Korai Öröm
’.






Their pieces of art are based on the finding that
computer animation
(movements, light)
projected on oil/canvas/photo paintings
(painting-installations) - on meeting an active observer’s attitude - c
reates a new-type of medium from the static elements of the painting and constantly changing elements of digital animation
. The painting and the projected visual creates together
the structure of the animations
. In their newest project the
real time image distortions converts the organic hive forms to moving textures
, the paintings became sensitive by the sound reactive visualisations.