Related Worlds focuses on a key period in the oeuvre of Ferenc Lantos (1929 – 2014), when – his creative approach governed by the intention of harmonizing artistic and social ambitions with nature – he discovered the central motif for his visual language.
 
The motif of the circle had already gained increasing importance in his representational paintings from the late fifties, and by the mid-sixties, it had practically become the sole compositional principle of his images, leading to the abstraction of his art, rendered even more solid by geometric construction in the seventies. The current exhibition offers a selection of works on paper and paintings from the mid-sixties through the late seventies, which reveal the formally, stylistically and structurally diverse and progressive character of the circle, a principal element in Lantos’ motif-set.

Tags